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BOLLYWOOD: BEING MANOJ KUMAR WAS NO LAUGHING MATTER

Manoj Kumar, iconic filmmaker and patriotic storyteller, left an indelible mark on Indian cinema with socially-rooted narratives, deep symbolis...

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GENDER: CELEBRATING WOMEN, ART, AND POWER

Celebrating the power of women in art, cinema and entrepreneurship, this International Women's Day highlights achievements, challenges, and the...

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TRENDING: THE GREAT REDEVELOPMENT BONANZA & FASCISM

Mumbai’s redevelopment and how urban transformation drives class divides, social segregation, and fascist tendencies, widening inequaliti...

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ALTERNATIVE ENTERTAINMENT: RIEFENSTAHL REFLECTS MODERN PROPAGANDA

The documentary ‘Riefenstahl’ forces us to confront the haunting intersection of media, propaganda, and complicity in shaping autho...

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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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GAIETY-GALAXY: & THE BLACK MARKET

Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...

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Hope and Glory

Film historian Dhruv Somani narrates the long and fulfilling journey of Asha Parekh, also known as The Hit Girl who has just b...

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WHO DESERVES RECOGNITION & REWARDS?

Are SRK and Virat with their luxurious 10-star lifestyle, more worthy than the real champions of change, dedicated to show the light to the neg...

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The Flashback Experiment

Film historian Dhruv Somani revisits Cinema Cinema, the 1979 underappreciated documentary by Krishna Shah and Shahab Ahmed, on...

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Whose Wedding Is It Anyway?

What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks...

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