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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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Remembering Hollywood’s Cleopatra!

A Timeless Movie Queen, Ageless Screen Legend, Matchless Star, writes Monojit Lahiri, on Elizabeth Taylor’s 88th Birth A...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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