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PRAMOD PAWAR HONOURED FOR THEATRE

Prof. Dr. Avinash Kolhe celebrates Sangeet Natak Akademi awardee Pramod Pawar, whose remarkable journey through Marathi theatr...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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PRATIBIMBA: MARATHI THEATRE’S SPIRIT

As the fifth edition of Pratibimba Marathi Natya Utsav concluded at the NCPA, Prof Dr Avinash Kolhe reflects on four days of p...

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DR BHALERAO THEATRE LEGACY REMEMBERED

The Legacy Of Dr Bhalerao Lives On as Prof. Dr. Avinash Kolhe reflects on theatre, medicine, and institution-building, tracing...

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THROUGH AN EYE CURIOUSLY INTERVIEW

In this insightful conversation, interviewer Khalid Mohamed engages photographer Chirodeep Chaudhuri on visual storytelling, B...

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BOLLYWOOD LYRICS – FROM A TO...OMG!!

A sharp, nostalgic and provocative exploration of how Hindi film lyrics have evolved from poetic romance to market-driven expression shaped by ...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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THE REBEL WITHOUT A...PAUSE

Fearless. Disobedient. Rowdy. Bindaas. Playful. Rooted. Real. Sanjay Bhattacharya is a rare artist, forever ready to do a soul...

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