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TV: TRUTH RISES THROUGH THE DARKNESS

In this review by Monojit Lahiri, a relentless Bengali crime thriller unfolds with raw performances, fearless direction, and a...

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ALTERNATIVE ENTERTAINMENT: GIRL, INTERRUPTED BUT UNCOWED

Varsha Bharath’s Bad Girl is a bold, witty, and layered Tamil coming-of-age film that examines a young woman’s chaotic journey of l...

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GENDER: A CELEBRATION OF IDENTITY, AND STORYTELLING

A powerful gathering of women writers, critics, and storytellers deep diving to literature, cinema, and authorship—exploring identity, my...

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RETROSPECTIVE: “ORIDAM” @20 IS A PORTRAIT OF PAIN

A poignant exploration of a sex worker’s struggles, Pradeep Nair’s Oridam challenges conventional portrayals of female sexuality, o...

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KALEIDOSCOPE: BEHIND THE REEL WITH PUNEET SIKKA

Puneet Sikka dives into her debut novel Take No. 2020, a slice-of-life exploration of the Hindi film industry's trials, humour, and hi...

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HOLLYWOOD: CHARTING NEW WATERS, MISSING THE MAGIC

A visually stunning yet emotionally lukewarm sequel, Moana 2 brings fresh adventures and characters but struggles to recapture the heartwarming...

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KALEIDOSCOPE: A THRILLING RIDE FULL OF TWISTS

A suspenseful journey through truth and deception, The Reappearance of Rachel Price by Holly Jackson keeps readers questioning everyth...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

THE RECIPE FOR GOOD ROMANTIC COMEDY

The Ex Factor author Harini Srinivasan unpacks her views on the recipe for a good romantic comedy, the evolution of the genre over the yea...

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ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

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