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MOVIES: A STARK MIRROR OF EXPLOITATION

In this powerful review, critic Utpal Datta examines The Untold Agony, revealing how Jayram Waghmode’s ...

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BOLLYWOOD: DHARAM–NARAM & HIS BENGALI CONNECT

It was his 90th birthday on the 8th December 2025, and Monojit Lahiri takes a couple of minutes to reveal a little known fact ...

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ALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR

Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...

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BOLLYWOOD: MR. MOHABBAT ZINDABAD!!

As Dilwale Dulhania Le Jayenge completes 30 years of success, Monojit Lahiri takes you down memory lane tracing the life and t...

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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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TRENDING: HUMAN STORIES STILL TOUCH HEARTS

Exploring romantic films Saiyaara and My Oxford Year, Yashika Begwani reflects on soulful storytelling, the AI era, and why hu...

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MOVIES: SUCH A FALL FROM GRACE

Khalid Mohamed, once a cheerleader of Mani Ratnam, is taken aback with Thug Life, the auteur’s fall from grace. “M...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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RETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD

Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...

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GENDER: ALL ABOUT THE PATRIARCHAL PUSHBACK

A double-edged narrative: how the Sonam-Raja murder and Deepika Padukone's casting row reveal media bias, caste patriarchy, and the urgent need...

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