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Retroscope

UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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Alternative Entertainment

MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

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Festivals

WIFF MUMBAI TALKS CHANGING CINEMA

In the run-up to WIFF Mumbai 2026, The Daily Eye brings you the unmissable conversations of 2025—when dialogue became the beating...

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Business and Politics

FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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Powerful People

FILMING MEMORY THROUGH PERSONAL LANDSCAPES

In this exclusive interview with Utpal Datta, filmmaker Vikram Kumar reflects on memory, grief, migration, belonging, autobiog...

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Alternative Entertainment

THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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Retroscope

RITUPARNO GHOSH'S ENDURING LEGACY

Monojit Lahiri does a flashback on his momentous life and times. He reflects on the visionary filmmaker's extraordinary life, ...

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Festivals

ANAND HI ANAND: PRESERVING CINEMA LEGACY

Writer and theatre practitioner Sohaila Kapur reflects on the creation and success of Anand Hi Anand, a unique theatr...

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Trending

BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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Powerful People

SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

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