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TRENDING: MARCHING FOR LADAKH’S RIGHTS  

Sonam Wangchuk’s peaceful protest demands autonomy for Ladakh, calling for responsible governance that prioritizes environmental protecti...

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THOUGHT FACTORY: THE FUTURE OF DEMOCRACIES

Vinta Nanda looks at how the Internet and AI are poised to reset the world order, explores the decline of Hindutva politics an...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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Dr SUCHETAN PRADHAN: THE CULTURE BEHIND DENTISTRY

I am in conversation with one of India’s best known practicing dentists: an implant aesthetic and laser dentist, writes Aparajita...

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THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

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RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

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CHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN

In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music,...

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Brush with controversy

Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...

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Try Love

“In this time of lockdown and instability, it would be ridiculous for me to deny my own blanket of privilege and personal self-absorption...

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