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Bollywood

DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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Alternative Entertainment

ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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Bollywood

BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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Powerful People

NOW STEPPING INTO HISTORY

Khalid Mohamed’s conversations with actor-turned-director Riteish Deshmukh over time, with an update on his most ambitio...

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Alternative Entertainment

HUSAIN’S JOURNEY THROUGH HIS MUSES

That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the litt...

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Retroscope

FORGOTTEN DANCING QUEEN OF HINDI CINEMA

The Last Dance: Tragedy of a Dancing Queen - Khalid Mohamed narrates the rise and fall of the iconic Cuckoo Moray, who mentore...

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Festivals

DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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Trending

LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE

From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...

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Retroscope

AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE

The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...

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Thought Factory

OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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