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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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GEN Z TURNS POWER UPSIDE-DOWN

Vinta Nanda watches India’s Cockroach movement transform youth anger into irreverent resistance, challenging political ...

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PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

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GOLDEN ERA HEROINES VERSUS TODAY

Can the timeless beauty, charisma, and talent of Bollywood's Golden Age heroines truly be matched today? Monojit Lahiri explores nostal...

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NO LIMITS: SAYANI GUPTA BREAKS BOUNDARIES

To make up for a briefer-than-brief conversation with her back in 2022 at the wedding of Richa Chadha-Ali Fazal, over to an insightful ...

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CHASING SHADOWS IN A LOVELESS WORLD

Brij Bhushan, journalist and author, reviews Khalid Mohamed's Not Quite Family: An Intimate Memoir of Bollywood. Recently publ...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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RITUPARNO GHOSH'S ENDURING LEGACY

Monojit Lahiri does a flashback on his momentous life and times. He reflects on the visionary filmmaker's extraordinary life, ...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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