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OSCARS RETURN INDIA ENTRY EMPTY-HANDED AGAIN HOME

India’s 2026 Oscar hopes fade again as its official entry returns home, sparking debate on quality, global positioning, marketing muscle ...

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Kaleidoscope

ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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Trending

HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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Kaleidoscope

KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.
Filmmaker and writer Sharad Raj reflects on Lucknow as a city negotiat...

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Business and Politics

BUSINESS: GIG WORK AND CAPITALIST FAILURE

Sharad Raj examines the New Year’s Eve gig workers’ strike to expose how neo-capitalism, privatisation, and algori...

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Thought Factory

THOUGHT FACTORY: LISTENING IS THE NEW LOOKING

For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...

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Bollywood

BOLLYWOOD: AKSHAYE KHANNA, ECHOES OF BRANDO

Monojit Lahiri investigates how Akshaye Khanna’s fiercely private stardom, selective choices, artistic ...

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Powerful People

POWERFUL PEOPLE 2025: THOSE WHO REFUSED THE EASY ANSWER

Power, in 2025, did not always announce itself loudly, nor did it seek instant legitimacy. Across cinema, poetry, activism, pe...

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Thought Factory

THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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Retroscope

RETROSCOPE: LOOKING BACK AT WHAT ENDURES

A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...

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