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THOUGHT FACTORY: STORYTELLING ART AND NARRATIVE PACE

In the times digital excess, storytelling's power lies in its pace, emotion, and authenticity — why great cinema transcends technology an...

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KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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MOVIES: YOU LOVE CINEMA, RANJAN DAS RECOMMENDS

From The Box, Casa Grande, to Leave No Trace, Happy Old Year and Oru Thekkan Thallu, check out all the films that Ranjan Das Read More

Shreejith Mohan wins KASHISH 2022 poster contest

South Asia’s biggest LGBTQIA+ film festival to be held June 1-5, 2022, reports The Daily Eye Newsdesk.

The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna