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KALEIDOSCOPE: BRIDGING THE SACRED AND THE ARTISTIC
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BOLLYWOOD: THE DIVERGENT WORLDS OF STAGE AND CINEMA
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TAMAS: THE LIGHT OF TAMAS
Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...
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FIFTY YEARS AFTER GARM HAVA
Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...
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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA
His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.