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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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WHEN HOMECOMING ISN’T A ONE-WAY STREET

Saibal Chatterjee reviews Tribeny Rai's deeply personal and moving debut feature Shape of Momo, a nuanced exploration...

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CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE

From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...

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INTERGENERATIONAL CINEMA COURAGE CREATIVE DIALOGUE

At the Self-Discovery: Rediscovering India Festival 2026, led by Neville Tuli, emerging filmmakers engaged in powerful intergenerationa...

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FESTIVALS: WIFF’S THIRD EVENT UNPACKS ART AND IDENTITY

A resonant celebration of regional cinema and independent voices, WIFF’s May event brought powerful films, urgent conversations, and thou...

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FESTIVALS: WATERFRONT INDIE FILM FESTIVAL BEGINS

The inaugural event of the Waterfront Indie Film Festival launched in Mumbai’s Aram Nagar, uniting filmmakers, industry experts, and cine...

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KALEIDOSCOPE: PUJA SHAH’S “FOR MY SISTER” BREAKS THE CHAINS OF SILENCE

Puja Shah’s For My Sister explores global issues of trafficking, gender violence, and poverty through the story of twin sisters ...

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TRENDING: END CENTRAL INFLUENCE IN STATE ELECTIONS

Ensuring fair democracy in India means banning central leaders from state election campaigns, safeguarding federalism, and allowing state gover...

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