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THE UNFINISHED BATTLE FOR EQUAL RIGHTS IN INDIA 2023 BY GEETIKA TYAGI

Throughout history, several pivotal events have spotlighted the persistent struggle for gender equality, unmasking the enduring challenges that...

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BEST INDIAN NEWS NETWORKS OF 2023: SUPRIYA SHRINATE

Amidst the rapid flow of information and the ever-evolving media landscape, the role of news networks has become pivotal in shaping public opin...

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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

The Master: A Documentary

Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditori...

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SO MUCH OF DESTRUCTION!

Humra Quraishi revisits 1992 and the demolition of the Babri Masjid then, in context to the bulldozing of property without con...

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All about flesh and blood

Humra Quraishi responds to the unnecessary hungama surrounding Halal, a noise not sparing even Haldiram’s Falahari Packe...

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MUJIB: The Making Of A Nation

Aparajita Krishna has brief but deep conversations with director Shyam Benegal, co-writer Atul Tiwari and costume designer Pia...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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Hate mongering and dreamy love songs

Humra Quraishi asks us how we can participate in assemblies of pleasure and write dreamy love songs, in this atmosphere of vio...

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