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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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ALTERNATIVE ENTERTAINMENT: VOICES OF CHANGE 2024

Celebrating 15 trailblazing voices who championed human rights, and redefined culture and inclusivity in 2024, inspiring a collective vision fo...

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THOUGHT FACTORY: WHEN INSTITUTIONS FAIL, ART SUFFERS

When cultural institutions compromise artistic integrity due to bureaucratic interference, creative expression weakens, and a nation's cultural...

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GENDER: LAAPATAA LADIES’ OSCAR JOURNEY

A film from India's hinterland challenged conventions, capturing hearts and minds. But does its Oscar entry hold up under scrutiny, or are emot...

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FESTIVALS: MAMI BEGINS WITH A SPECTACULAR OPENING

A Stellar Opening: Cannes-Winning Film All We Imagine as Light and Bollywood Icons Illuminate MAMI Mumbai Film Festival 2024. The Read More

GENDER: THE PROBLEM WITH FFI'S CITATION ON LAAPATA LADIES

Examining the Complex Narratives of Women in Cinema: 'Laapata Ladies' Sparks Debate on Gender Roles, Patriarchy, and India's Oscar Selection Pr...

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THOUGHT FACTORY: THE IRONY OF CANNES ‘24

This is India’s clean sweep, with no credit to India at all! Monojit Lahiri tries to explain why confusion is confounded...

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THOUGHT FACTORY: DISSENT IS A DIFFICULT PATH

All about the FTII protest against Gajendra Chauhan's appointment led by the students, including Payal Kapadia who has brought pride to the cou...

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‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

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