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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE
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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS
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JIMMY SHERGILL: A CLASS ACT, ALWAYS
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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
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ECHOES ON PAPER: CRAFT, MEMORY, CONTINUUM
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STAY ROOTED AND LET STORIES FIND YOU HOME
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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI
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SUCHITRA SEN: THE STAR WHO CHOSE SILENCE
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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS
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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE
From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...
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ALTERNATIVE ENTERTAINMENT: THE MANY WAYS WE LOOKED IN 2025
A sweeping year-end chronicle of cinema, culture, memory, rebellion, and conscience—where filmmakers, critics, and artis...
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RETROSPECTIVE: “ORIDAM” @20 IS A PORTRAIT OF PAIN
A poignant exploration of a sex worker’s struggles, Pradeep Nair’s Oridam challenges conventional portrayals of female sexuality, o...
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101 CHEERS FOR INDIA’S REVERED GLOBAL ICON
Never in the annals of Indian film history has any single filmmaker, before or since, received such glowing tributes from the world’s leading luminaries regarding his...
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The Cinema of Tengiz Abulnadze
All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...
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