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BARNALI RAY SHUKLA'S FEARLESS PORTRAIT

Vinta Nanda discovers Barnali Ray Shukla's humane documentary I Run Into Chairs, an intimate portrait of Divyanshu Ganatra's f...

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Alternative Entertainment

TERMITE REVIEW: SHAUNAK SEN TRIUMPHS

Saibal Chatterjee hails Termite as a remarkable debut in fiction, beginning with the unforgettable line: “Shaunak Sen&rs...

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Bollywood

GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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Powerful People

NO LIMITS: SAYANI GUPTA BREAKS BOUNDARIES

To make up for a briefer-than-brief conversation with her back in 2022 at the wedding of Richa Chadha-Ali Fazal, over to an insightful ...

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Festivals

QUEER MOTHERHOOD BEYOND STEREOTYPES

Prof. Dr. Avinash Kolhe: Vikram Phukan's Some Mothers, Other Mothers explores queer motherhood, chosen families and human righ...

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Alternative Entertainment

THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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Kaleidoscope

STUDENT CITY PART 3

in Part 3 of Student City, Prof. Dr. Piyush Roy explores privilege, loneliness, desire, and emotional alienation within the ch...

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Retroscope

FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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Festivals

DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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Thought Factory

INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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