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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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POWERFUL PEOPLE: IDEAS BECOME MOVEMENTS HERE

A conversation between Vinta Nanda and Shenali Rajaratnam, a young global leader shaping future governance, d...

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BUSINESS: REFLECTIONS OF ADVERTISING’S MR. BHARAT!

From Kolkata’s colonial hangover to the rise of brand Bharat, this reflection, by Monojit Lahiri, celebrates Piyush Pand...

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BOLLYWOOD: STORIES OF STRUGGLE AND SURVIVAL

The marginalised have never had it easy—but in our own fractured land, their journey is not just arduous, it is often soul-scarring, as N...

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ALTERNATIVE ENTERTAINMENT: NO MAN’S LAND

Bimal Roy’s timeless displacement saga screened at Venice: As a new 4K restoration of Bimal Roy’s Do Bigha Zamin is screened at Ven...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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KALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES

On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...

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GENDER: OF WOUNDS, WINGS, AND WOMEN

A Journey from Silence to Strength: Monojit Lahiri unfolds a moving, real-life story of a student who transcended society&rsqu...

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THOUGHT FACTORY: WHAT MY MOTHER TAUGHT ME

On Mother's Day, I, Vinta Nanda, reflect on how my mother’s clarity in a chaotic world, exposed the dangers of ...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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