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Alternative Entertainment

OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home...

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Powerful People

SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

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Human Rights

BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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Retroscope

AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE

The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...

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Trending

TRENDING: THE VILLAIN INDIA NEVER GOT

On his 83rd birthday, Sharad Raj reflects on the cinematic journey of Amitabh Bachchan — the superstar of the last mille...

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Festivals

FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

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Festivals

FESTIVALS: STORIES FOUND PURPOSE THAT AFTERNOON

On a rain-soaked Mumbai day, WIFF’s Impact Workshop brought together storytellers, changemakers, and filmmakers to explore how films can ...

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Thought Factory

THOUGHT FACTORY: A YEAR OF STORIES, SHIFTS, AND SOLIDARITY

"2024: A year of cinematic triumphs, societal challenges, and the unyielding spirit of dissent, reminding us of the power of stories to unite, ...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: THE RIVER OF LIFE

OP Srivastava takes us on the banks of Gautam Ghose's film. Paar, crossing the river of life, is a story of human endurance, a...

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Bollywood

BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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