ALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH

A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...

THOUGHT FACTORY: A REVOLUTION BREWING IN THE BURBS

A stunning showcase of six bold one-act plays, The Micro Theatre’s Set A captures the voice of Mumbai’s youth—raw, relevant, ...

BOLLYWOOD: FLASHBACKING WITH CHAUDVIN KA CHAND!!

Around two decades ago, Monojit Lahiri met the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand...

REFLECTING INDIA: AN ANALYSIS OF POPULAR SCRIPTED TELEVISION

An intersectional and longitudinal analysis of popular scripted television from 2018 to 2022, has been released by the Geena Davis Institute of...

PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

PATHAAN: IS IT A CINEMATIC MASTERPIECE?

Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.

Whose Wedding Is It Anyway?

What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks...

The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...