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Retroscope

RETROSPECTIVE: “ORIDAM” @20 IS A PORTRAIT OF PAIN

A poignant exploration of a sex worker’s struggles, Pradeep Nair’s Oridam challenges conventional portrayals of female sexuality, o...

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Thought Factory

THOUGHT FACTORY: BOMBAY IN THE ARMS OF THE NIGHT 2.0

Sharad Raj remembers the vibrant yet gritty nights of 90s Mumbai, reflecting on its transformation from a city of contrasts to...

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Hollywood

HOLLYWOOD: TOP 10 OSCAR CONTENDERS 2025

From gripping dramas to epic tales, The Daily Eye #Newsdesk's top Oscar predictions for 2025 showcase groundbreaking cinema, u...

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Festivals

FESTIVALS: CELEBRATING EXCELLENCE AT MAMI 2024

The 2024 MAMI Mumbai Film Festival showcased a dynamic mix of cinema, recognizing boundary-pushing filmmakers, influential short films, and the...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: THE RISK TAKERS BY SIDDHESH PANDEY

Siddhesh Pandey’s poignant exploration of Mumbai’s unsung heroes is heartening and life-affirming, reports Vinta Nanda. &ld...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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Trending

TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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Thought Factory

पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

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Thought Factory

WE ARE NOT AT PEACE

Humra Quraishi discusses the position of the Urdu language in India, on International Mother Language Day – 21st Februar...

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Alternative Entertainment

UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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