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THE FIRST FILM: CINEMA, FREEDOM, DESIRE

Cinema transforms the Confined World By Utpal Datta. In Piyush Thakur’s award-winning short, a young girl’s yearni...

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THE RURAL BOY WHO BECAME A LITERARY ICON

Sohaila Kapur explores Mahesh Elkunchwar’s remarkable journey from rural Maharashtra to becoming one of Indian theatre’s mo...

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STUDENT CITY PART 5

In Prof Dr Piyush Roy’s Student City Part 5, a volatile night at a Pune B-School disc changes friendships, loyalties and...

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KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE

Mumbai’s iconic Kala Ghoda Arts Festival returns for its 26th edition, transforming public spaces into ...

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ALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH

A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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POLITICS: SHADOW OF DOUBT ON ELECTION PROCESSES

Humra Quraishi, raises concerns about the candidates with criminal records and throws light on demands being made to return to...

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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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FAR FROM HONEST, SAY VOTERS - DEMAND TRANSPARENCY

Humra  Quraishi comments on the dissatisfaction of Indian voters with EVMs and explains how transparency can be achieved ...

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ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

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