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FESTIVALS: THE CHANGING FACE OF DURGA PUJA

Religious Fest? Reality Show? Sponsored Program? A little of all these? Monojit Lahiri lays it on the line, examining how Durg...

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TRENDING: SUPPORT INDEPENDENT JOURNALISM KEEP AUTHENTIC STORIES ALIVE

Support Independent Voices: Help The Daily Eye Grow from Print to Film and Continue Amplifying Authentic Stories in a...

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THE MADRAS MUSIC FESTIVAL: BREAKING OUT OF THE VIRTUAL

Much has been discoursed about this Margazhi festival, from its sustenance over a century, to its inadequacies in inclusivity and outreach, wri...

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ARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!

Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...

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The Master: A Documentary

Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditori...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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Scaling 200+ & the Sixer

This piece by Dr Sandeep Goyal, in which he evaluates sixers, 200+ scores and their significance to broadcasters, marketers an...

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The Legend of Siddharth

I wanted to interview Siddharth for The Daily Eye for some time now and although he was reluctant and shy, I managed to corner him the other da...

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"Lebanon's Legendary Music Festivals Struggle despite Talk of Recovery "

One hundred years after her birth and two decades after her death, Ella Fitzgerald’s voice still sounds like your best day, your most ...

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Battery Dance’s new Powerhouse!

Battery Dance is a company dedicated to artistic excellence and social relevance by creating...

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