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OSCARS RETURN INDIA ENTRY EMPTY-HANDED AGAIN HOME

India’s 2026 Oscar hopes fade again as its official entry returns home, sparking debate on quality, global positioning, marketing muscle ...

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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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THOUGHT FACTORY: LISTENING IS THE NEW LOOKING

For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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ALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR

Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...

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RETROSCOPE: FLASHBACKING WITH....CHAUDVIN KA CHAND!!

Monojit Lahiri met up with the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand in Mumbai aroun...

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GENDER: WHEN FIDELITY MEETS MODERN DESIRE

Twinkle Khanna’s remark on marriage and infidelity sparked nationwide debate a couple of weeks ago, and Vinta Na...

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THOUGHT FACTORY: WHY CINEMA STILL MATTERS

Why Cinema Still Matters reflects on filmmaker Arjunn Dutta’s Deep Fridge, exploring creativity, nostalgia, and audienc...

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POWERFUL PEOPLE: THAT THING CALLED ACTING

Mita Vasisht, whose career has spanned over four decades of film and web series acting, theatre, documentaries, besides being an educator and a...

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TV: TRUTH RISES THROUGH THE DARKNESS

In this review by Monojit Lahiri, a relentless Bengali crime thriller unfolds with raw performances, fearless direction, and a...

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