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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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THE BEST MALE ACTORS OF 2023: DEEPAK QAZIR

An actor having worked in the current year is insignificant when selecting the best among them, because cinematic appreciation transcends time, writes Deepak Qazir....

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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Imagination: The fodder of existence

An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar

Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

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Sagar Sawarkar & the Indian Idol Connect!

Aparajita Krishna travels with Sagar Sawarkar’s musical journey and shares her experience with us.

The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

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Just another brick in the wall

Niraj Jani, rock music enthusiast, writes on Pink Floyd’s cautionary songs about the constant vigil for intellectual fre...

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For whom the bull tolls

Khalid Mohamed locks horns with India’s Oscar entry Jallikattu, Alt Balaji’s Bicch...

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As messy as it gets

Khalid Mohamed reviews Dolly Kitty Aur Woh Chamakte Sitare and the multiple Emmy Primetime Awa...

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