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DEMOCRACY ON UNEVEN GROUND

Vinta Nanda examines how corporate power, religious majoritarianism, weakened institutions, and narrative control are reshaping Indian ...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema ...

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PAGE MEETS SCREEN AT WIFF (LIT) MUMBAI

Where Stories Found Their Voice: WIFF LIT Opens Conversations Between Literature and Cinema

STORIES TRAVEL FROM PAGE TO SCREEN

The Waterfront Indie Film Festival (WIFF) Mumbai launches its literature vertical with a two-day programme at SOCIAL V...

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A LAST CALL FOR THE PLANET

In this in-depth conversation with Vinta Nanda, Fr. Kureethadam Joshtrom reflects on ecology as an ethical and spiritu...

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THE ETERNAL CRISES OF FILM SCHOOLS

From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...

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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES

Today Mumbai’s film actors have wised up to the fact that fame and fortune don’t last forever. Several yesteryear doom-laden storie...

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THOUGHT FACTORY: LISTENING IS THE NEW LOOKING

For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...

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