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GENDER: LAAPATAA LADIES’ OSCAR JOURNEY

A film from India's hinterland challenged conventions, capturing hearts and minds. But does its Oscar entry hold up under scrutiny, or are emot...

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FESTIVALS: DEEPTI CHAWLA NAVIGATING GLOBAL CINEMA

Executive Producer Deepti Chawla reflects on her journey through global filmmaking, her latest success at Cannes, and the future of Indian cine...

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GENDER: THE PROBLEM WITH FFI'S CITATION ON LAAPATA LADIES

Examining the Complex Narratives of Women in Cinema: 'Laapata Ladies' Sparks Debate on Gender Roles, Patriarchy, and India's Oscar Selection Pr...

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ALTERNATIVE ENTERTAINMENT: THE RIVER OF LIFE

OP Srivastava takes us on the banks of Gautam Ghose's film. Paar, crossing the river of life, is a story of human endurance, a...

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ACHIEVING CULT STATUS: MASSEY SAHIB

O.P. Srivastav brings Raghubir Yadav and Arundhati Roy's celebrated debut Massey Sahib, a 1985 Hindi drama, adaptation of Joyc...

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THE BEST FEMALE ACTORS OF 2023: TINAA GHAAI

This week-long series brings to you, next, the best of 2023 through the eyes of another among the very influential in Bollywood. Actor and Exec...

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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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