BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

ALTERNATIVE ENTERTAINMENT: BETWEEN REALITY AND REPRESENTATION

SHUDDHI is an emotional journey, a call to action, and a symbol of hope all in one. It aims to generate renewed discussion on Leprosy. A rare f...

POLITICS: FLASHBACK TO THE TIMES OF HINDUTVA

The influence of Hindutva politics on democratic and academic institutions in India has raised concerns about the erosion of secularism, threat...

SEEN ROMANTIC LOVE IN B-TOWN, ANY ONE?

It has been said that the history of cinema is also a history of exciting, adventurous and celebrated love affairs. Dead right. And for excelle...

पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

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AMIT KHANNA’S JOURNEY AS A LYRICIST

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

PUNISHED FOR BEING BORN TO TIMES OF DIVISIVE POLITICS

Humra  Quraishi writes, “Before I focus on the ground realities in the Mewat region of Haryana, it is important for...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

THE WAVES OF FAITH

Humra Quraishi comments on the mindless destruction of libraries, literature and Indian history by the forces that are leaving...