IT’S A CONSTANT BATTLE – RAHI ANIL BARVE

The creator of the belatedly lauded Tumbbad, Rahi Anil Barve, who continues to be a warrior for the cause of experime...

BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema ...

FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

MOTHER MYTH MAN CALLED SHAKESPEARE

Yashika Begwani reflects on Hamnet, where Chloé Zhao reimagines Shakespeare through Agnes, the grieving mother, explori...

INDIAN CINEMA CONQUERS GLOBAL STAGE

From Berlinale to BAFTA: How India’s Cinema Took the World Stage from The Daily Eye #Newsdesk

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LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE

From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...

HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

POWERFUL PEOPLE: THOSE BASIC VISUAL INSTINCTS

Ravi K. Chandran, among the A-list of superstar technicians of Hindi and south Indian language cinema, has excelled in his met...

THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...