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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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EDEN CREEK BENGAL REVIEWED BRILLIANTLY

Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE

An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...

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ALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR

Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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KALEIDOSCOPE: REIMAGINING TAGORE – INTIMACY & IDEOLOGY

A bold theatrical reimagining of Tagore’s Ghare Baire, Ghar Aur Bahar explores the fraught intersections of love, ideol...

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ALTERNATIVE ENTERTAINMENT: DELHI’S OWN THEATRE FESTIVAL

The second Triveni Theatre Festival in Delhi celebrated diverse theatrical performances, from classic adaptations to experimental productions, ...

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‘KAIFI AUR MAIN’ KI KAIFIYAT

कैफ़ी और मैंकी...

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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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