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TANMAYA SHEKHAR: REWRITING INDEPENDENT CINEMA

In this exclusive conversation, Vinta Nanda speaks with Tanmaya Shekhar about Nukkad Naatak, a fearless caravan journey across...

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WOMEN’S NETWORKS DRIVE CAREER SUCCESS

Strong professional networks help women access hidden opportunities, writes Sushmita Chowdhary, accelerate promotions, build m...

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STUDENT CITY SEASON TWO BEGINS

Dr. Piyush Roy’s Student City returns with Season 2, following Avi and Rahul through friendship, loneliness, campus life...

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SHAMMI KAPOOR: BOLLYWOOD’S ETERNAL REBEL

Saluting The Memories Of Bollywood’s Timeless Rebel Star - Shammi Kapoor!! On his 15th death anniversary Monojit Lahiri remembers...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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IAA LEADERSHIP AWARDS HONOUR ICONS

IAA Leadership Awards 2026 brought together India’s leading business, advertising, media and creative voices, celebratin...

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OHH MY DOG: LOVE, LOYALTY, LOSS

Canine Loyalty Meets A Darker Tale of Loss, Courage and Justice. Arnab Banerjee reviews Amit Rai’s Ohh My Dog, a heartfe...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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