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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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BORROWED LOVE FADES TOO SOON

Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...

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CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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INTIMACY & TECHNOLOGY – FRENEMIES??

Monojit Lahiri explores how technology has reshaped intimacy and interpersonal communication, examining generational divides, ...

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GUJARATI THEATRE PASSION AND PERFORMANCE

Actor Leena Shah reflects on her enduring journey through Gujarati theatre, sharing insights into performance, resilience, travel, and the emot...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS

WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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