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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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THOUGHT FACTORY: EULOGIES IN THE POST TRUTH ERA

Reflecting on the legacies of Shyam Benegal and Manmohan Singh: Sharad Raj navigates hyperbolic tributes, nuanced critiques, a...

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POLITICS: THE TOXIC HAZE OF INDIFFERENCE

Exposing the smog of indifference: How government inaction, communal divides, and systemic neglect throttle lives across India, leaving vulnera...

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POLITICS: THE BRUTALITY OF BULLDOZING HOMES

"A stark exploration of the systemic bias and brutality in India’s use of bulldozing homes, revealing the deep-seated political and relig...

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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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Game Changer, Marketer, Entertainer, Interpreter: The Film Critic

Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Why I will invest in the Congress! Rudresh Kaul

Rudresh Kaul writes, “I have always believed that learning and sharing go hand in hand.”

Celebrating the Women behind the Camera

In this age of Netflix, Hotstar and Amazon Prime, there's a unique streaming service called MUBI which I am sur...

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