POLITICS: THE BRUTALITY OF BULLDOZING HOMES

"A stark exploration of the systemic bias and brutality in India’s use of bulldozing homes, revealing the deep-seated political and relig...

FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

Game Changer, Marketer, Entertainer, Interpreter: The Film Critic

Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...

Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

Why I will invest in the Congress! Rudresh Kaul

Rudresh Kaul writes, “I have always believed that learning and sharing go hand in hand.”

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Celebrating the Women behind the Camera

In this age of Netflix, Hotstar and Amazon Prime, there's a unique streaming service called MUBI which I am sur...

Rise: Art Sells, Are You Buying?

Latterly, Hadi Eldebek’s compelling talk ‘Why Must Artists be Poor’ canvassed a significant yet easily imperceptible question...

Breathe – A Breathless Thriller

Amazon Prime and chill? Well, that’s a tough one to answer but it seems the entertainment company has started grabbing a spot in the h...