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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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THOUGHT FACTORY: LISTENING IS THE NEW LOOKING

For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...

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FESTIVALS: CINEMA ENDURES BECAUSE ARTISTS PERSIST

A powerful three-day gathering in New Delhi explored cinema’s endurance against censorship, showcasing suppressed films, bold conversatio...

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THOUGHT FACTORY: WHO DESERVES REAL RECOGNITION?

Monojit Lahiri examines the stark contrast between stardom’s glamour and the selfless pursuit of empowerment, questionin...

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TRENDING: PRIDE COMBATS PREJUDICE

Khalid Mohamed assesses a clutch of shorts and feature films on same-gender sexuality and transgender lives, released on strea...

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TELEVISION: RETURN TO TV WITH AYE DIL…JEE LE ZARA

Gajra Kottary returns to TV with Aye Dil…Jee Le Zara, defying industry norms, embracing change, and reigniting the power of ori...

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THOUGHT FACTORY: THE DEATH OF THE STORYTELLER

As censorship tightens and expression is choked, storytellers face an existential crisis. With creativity shackled by morality and control, is ...

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TRENDING: THE GRANDEUR AND INEQUALITIES

The Ambani wedding, a symbol of India's wealth disparity, has ignited a heated debate on social media. While its opulence has captivated millio...

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