POLITICS: GLOBAL INDIFFERENCE AND DOMESTIC POLICIES DRIVE DIVISIVE AGENDAS

"The relentless violence of war and communal strife continues to plague innocent lives, while global powers and political rulers remain oblivio...

FESTIVALS: THE KHUSHWANT SINGH LITERARY FESTIVAL OF KASAULI

I had a conversation with Rahul Singh, to know the significance of the Khushwant Singh Literary Festival, writes Vinta Nanda. ...

BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

KALEIDOSCOPE: INDIA’S SOLE MUSLIM PARAM VIR CHAKRA AWARDEE

Vikram Khakhar's involvement underscores the importance of this project, which promises to shed light on a pivotal figure in Indian military hi...

THE BEST WEB SERIES OF 2023: AMIT BEHL

This week-long series brings to you, next, the best of 2023 through the eyes of the most influential. Actor and General Secretary CINTAA, Read More

A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

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A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...