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TRENDING: MEET THE CAST AND CREW OF FARIDA

Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...

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DID PATHAN’S MONSTER SUCCESS DILUTE THE ‘CONTENT IS KING’ MANTRA?

Monojit Lahiri investigates the on-going discussion about what is ‘king’ – the content or the star, by takin...

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SHARING KNOWLEDGE TO EMPOWER: MOHTAMIM RAZA

Vinta Nanda chats with Mohtamim Raza about his work as a Student Empowerment and Memory Trainer with a focus on Mind ...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

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Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Of Epic Tales: Movie mythological of yore

Film historian, Dhruv Somani, takes you back to the time when the mythological genre captivated film audiences

Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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The Legend of Siddharth

I wanted to interview Siddharth for The Daily Eye for some time now and although he was reluctant and shy, I managed to corner him the other da...

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Set in rural India, ‘Period. End of Sentence’ wins Oscar 2019

The 91st Academy Awards ceremony that honoured the best films of 2018 was held on February 24, 2019, at the Dolby Theatre i...

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