ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

THOUGHT FACTORY: WHY MARRIAGE SCARES YOUNG LOVERS

“Love me?” Like mad! “Marry me?” Mad!! Whatever happened to the pavitra bandhan that symbolised this r...

KALEIDOSCOPE: KASHMIR CASTS ITS OLD SPELL

A nostalgic return to Kashmir becomes a vivid four-day journey across Srinagar, Gulmarg, and Pahalgam—through gardens, temples, lakes and...

RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...

THOUGHT FACTORY: RECLAIMING SHOORPANAKHA, REWRITING EPIC SILENCE

What becomes of a mutilated woman? In her solo piece Shoorpanakha: A Search, Parshathy J Nath reclaims a silenced voi...

TRENDING: THE GREAT REDEVELOPMENT BONANZA & FASCISM

Mumbai’s redevelopment and how urban transformation drives class divides, social segregation, and fascist tendencies, widening inequaliti...

FESTIVALS: IT’S WORLD HERB DAY ON 6TH MAY

The Prophet remarked that eating lentils fills the heart with sympathy, brings tears to the eyes, and eradicates pride, suggesting a profound i...

TRENDING: MUJHSE SHAADI KAROGE? PAGAL? NEVER!!

Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that...

THOUGHT FACTORY: WHO’S BEEN SLEEPING IN MY BED??

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

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