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ALTERNATIVE ENTERTAINMENT: REIMAGINING 12 ANGRY MEN

Srijit Mukherji’s Shotyi Bole Shotyi Kichhu Nei reinvents 12 Angry Men with a fresh, outdoor setting, gender perspectiv...

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POLITICS: SILENCE, A WEAPON AND SHIELD

Dr. Manmohan Singh’s dignified silence inspires integrity, while Bollywood’s silence on farmers’ struggles highlights a troub...

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POLITICS: INNOCENCE LOST IN A BARBARIC WORLD

Innocent lives are being lost as senseless violence escalates across states and borders. This article highlights how power-driven wars have no ...

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GENDER: A SHAKEN CITY AND NATION

The catastrophic Kolkata case of rape, torture, and murder has shaken the city, the state, the rest of India, and the world. Every kind of depr...

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TRENDING: CINEMA'S DEFINING DECADE OF THE SEVENTIES

"Join me, one of the contributing writers, as I interview the editors, also curators, of 'The Swinging Seventies,' diving deep into the decade'...

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BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

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TRENDING: MUJHSE SHAADI KAROGE? PAGAL? NEVER!!

Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that...

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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

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