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BOLLYWOOD: SHAH RUKH KHAN’S STORYTELLING DILEMMA

Exploring Shah Rukh Khan's film trajectory, from his anti-hero edge to pandering to the male gaze, questioning the ethical lines blurred in Bol...

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FESTIVALS: DEEPTI CHAWLA NAVIGATING GLOBAL CINEMA

Executive Producer Deepti Chawla reflects on her journey through global filmmaking, her latest success at Cannes, and the future of Indian cine...

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TRENDING: MUJHSE SHAADI KAROGE? PAGAL? NEVER!!

Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that...

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ALTERNATIVE ENTERTAINMENT: THOSE FREEZE SHOTS OF TARUN MAJUMDAR

Satyabrata Ghosh explores the genesis and evolution of the freeze shot used by auteurs of cinema to capture a lasting impact o...

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A WORLD SCARRED BY BULLETS

I realize that for over five weeks now I’ve commented only about Palestinians and the ground realities of Gaza, writes Humra...

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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED

“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...

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TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes,35 years after it lit India’s television screen and cinema, I am herei...

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THE BURDERNED OF TRUTH ON SILENCE

I’m writing this column in the backdrop of the film, The Kerala Story. It is not just controversial, it can polarise and divide, writes <...

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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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THE TOWERING TRIUMVERATE & THE TERRIFIC TRIO

Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...

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