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BORROWED LOVE FADES TOO SOON
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BORROWED LOVE FADES TOO SOON
Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...
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BHOOTH BANGLA REVIEW: MISSED COMIC HORROR
Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...
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WHY INDIAN TELEVISION IS FAILING
Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...
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THOUGHT FACTORY: WHO DESERVES REAL RECOGNITION?
Monojit Lahiri examines the stark contrast between stardom’s glamour and the selfless pursuit of empowerment, questionin...
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BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS
Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, ampl...
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ALTERNATIVE ENTERTAINMENT: A DIP INTO THE RIVER OF FEMALE DESIRE
Writer-director Nidhi Saxena’s second film, Secret of a Mountain Serpent, is an exquisite piece of cinema that blurs the line between the...
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BOLLYWOOD: SAME OLD LOVE STORY RETURNS
North Meets South, Clichés Meet Screen: Kerala Endures Yet Again! A tired cross-cultural romance that recycles clichés, Param Sundari offers postcard...
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MOVIES: SUCH A FALL FROM GRACE
Khalid Mohamed, once a cheerleader of Mani Ratnam, is taken aback with Thug Life, the auteur’s fall from grace. “M...
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KALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES
On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...
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GENDER: ALL ABOUT THE PATRIARCHAL PUSHBACK
A double-edged narrative: how the Sonam-Raja murder and Deepika Padukone's casting row reveal media bias, caste patriarchy, and the urgent need...
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