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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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HOW AIRTEL'S SOUND BUILT IDENTITY

A.R. Rahman's five-note Airtel anthem transformed sonic branding in India, proving that advertising music can become enduring ...

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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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LEADERSHIP WAS NEVER MEANT TO BE GENDERED

Sushmita Chowdhary examines the enduring barriers women face in leadership, connecting India's historic women leaders, matria...

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WHEN CLAY BECOMES LIVING POETRY

Arnab Banerjee finds out how Poettery founders Anubir Singh and Bhavana transformed handcrafted ceramics into a philosophy of ...

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EDEN CREEK BENGAL REVIEWED BRILLIANTLY

Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...

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