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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION

The 65th edition of Maharashtra State Drama Competition by Prof Dr Avinash Kolhe examines how a decades-old state init...

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THEATRE AND THE POWER OF INCLUSION

The World’s A Stage And We, The Performers: Sohaila Kapur interviews Anirudh Nair on theatre, Shakespeare, social privilege and B...

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AAKHRI RIDE: MUMBAI AFTER DARK

Arnab Banerjee reviews Aakhri Ride, a Mumbai-set short that blends urban noir, dark comedy and supernatural horror while tracing a migrant driver’s d...

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EK HAAN BRINGS MANTO ALIVE

Manto in Pakistan by Prof Dr Avinash Kolhe: A review of Ek Haan, the Hindi-Urdu play that brings Saadat Hasan Manto’s wit, writin...

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CHEF VINITA GHATGE ON REINVENTION

Sushmita Chowdhary explores Chef Vinita Ghatge’s conversation with Sushma Gaikwad on WMNcomm, reflecting on women’...

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HAS SOCIAL MEDIA HIJACKED STARDOM?

Monojit Lahiri explores how Bollywood’s old-world star mystique has been transformed by social media, celebrity culture and publi...

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V. SHANTARAM: CINEMATIC LEGACY REMEMBERED

SHANTARAM: CINEMATIC LEGACY REMEMBERED

The quasquicentennial Birth Anniversary o...

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UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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TU HAI MERI KIRAN: OBSESSION FAILS TO FLY

Arnab Banerjee reviews Karan Rawal’s Tu Hai Meri Kiran, a science-fiction thriller about obsessive love that st...

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(NOT) A FORGOTTEN FREEDOM FIGHTER OF GOA

Libby de Liberdade: A Century of Courage, Conscience and Goa’s Freedom explores centenarian freedom fighter Libia Lobo Sardesai&r...

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