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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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SRIDEVI: BOLLYWOOD’S MOST MAGICAL SUPERSTAR  

On her 63rd Birthday, August 13, Monojit Lahiri traces the life and times of the late super-star Sridevi, whom neither age can...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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STAY ROOTED AND LET STORIES FIND YOU HOME

From Old Delhi memories to Mughal-era storytelling traditions, Paayal Nair’s personal journey finds renewed purpose thro...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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KALEIDOSCOPE: TALKING PROCESS WITH HARINI SRINIVASAN

Harini Srinivasan, author of Lovestruck and Confused, discusses toggling between historical mysteries and contemporar...

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TRENDING: THE GRAND AMBANI WEDDING

Despite the extravagance, the Ambani wedding is showcasing India's rich cultural heritage and supporting artisans. Shouldn't we revel in the sp...

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