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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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IFFD 2026 OPENS GLOBAL DIALOGUES

IFFD 2026 - A Festival of Dialogue, Discovery and Global Exchange: With Oliver Laxe’s Sirât opening and S...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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MOTHER MYTH MAN CALLED SHAKESPEARE

Yashika Begwani reflects on Hamnet, where Chloé Zhao reimagines Shakespeare through Agnes, the grieving mother, explori...

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DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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A TEST OF GLOBAL CONSCIENCE

A global outcry rises as the Taliban formalise domestic violence within law, drawing condemnation from Population Foundation of India and activ...

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THAT CLOSE ENCOUNTER WITH FRANCOIS TRUFFAUT

Khalid Mohamed rewinds way back to 1977 to a face-to--face conversation with Francois Truffaut, one of the ma...

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