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ALTERNATIVE ENTERTAINMENT: RIEFENSTAHL REFLECTS MODERN PROPAGANDA

The documentary ‘Riefenstahl’ forces us to confront the haunting intersection of media, propaganda, and complicity in shaping autho...

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FESTIVALS: THE CHANGING FACE OF DURGA PUJA

Religious Fest? Reality Show? Sponsored Program? A little of all these? Monojit Lahiri lays it on the line, examining how Durg...

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BUSINESS: THE BIG DADDY OF THE BIG IDEA!

Monojit Lahiri takes a trip down memory lane to salute Kersey Katrak, the father of India’s creative advertising across ...

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FESTIVALS: GURUGRAM’S PRIZED CULTURAL HUB!! MUSEO CAMERA

Monojit Lahiri attempts a brief sketch of an exciting, bustling, creative multi-disciplinary space where vision and mission ar...

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BOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS

Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...

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FESTIVALS: IS MOM YOUR BEST FRIEND?

On Mother’s Day, Monojit Lahiri  chooses a provocative and informative path - he explains why a little distance kep...

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BOLLYWOOD: FRANK & FEARLESS, GULZAR…UNCUT!

Monojit Lahiri recalls an amazing conversation with a dear, cherished and hugely respected friend of over 5 decades, Bollywood...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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