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Retroscope

RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME

When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...

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Thought Factory

THOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY

Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...

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Retroscope

RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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Powerful People

POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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Thought Factory

THOUGHT FACTORY: CENSORSHIP, CINEMA, AND THE COST OF CONSCIENCE

A searing conversation between filmmaker Vinta Nanda and journalist Anna MM Vetticad on censorship, complicity, and conscience...

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Bollywood

BOLLYWOOD: IN DÉFENSE OF THE MERCHANTS OF BOLLYWOOD

Glossy or gritty, art or commerce, celebrated or scorned — India’s cinematic juggernaut continues to provoke, inspire, and divide. ...

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Festivals

FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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Bollywood

BOLLYWOOD: WHAT MADE MANOJ KUMAR SPECIAL?

Monojit Lahiri’s frank and candid take explores the predictable explosion of emotions and nostalgic tributes from collea...

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Business and Politics

POLITICS: BACKLASH ON DEI AND INTELLECTUAL INEQUALITY

As right-wing governments dismantle Diversity, Equity, and Inclusion, they push societies into intellectual and economic stagnation while the p...

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