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STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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THERE’S NO IF…ONLY BHATT!

As 78-year-old veteran filmmaker, producer and writer Mahesh Bhatt called time and dialled out of the director's space, Monojit Lahiri&...

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JODHPUR RIFF CELEBRATES LIVING TRADITIONS

Where Tradition Finds Its Future: Twenty Years of Jodhpur RIFF: By Arnab Banerjee, this immersive feature explores how Jodhpur RIFF mar...

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THE DEPARTURE OF COLOUR

The Departure of Colour, Line, and Silent Melodies is a moving tribute to master artist Narendra Nath Das, whose poetic modern...

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SAATH TERA: POETRY BECOMES SONG

Ahead of Saath Tera’s 24 August release, Vinta Nanda speaks with poet-filmmaker Barnali Ray Shukla about longing, Old Delhi, handwritten memories, an...

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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE

Prof Dr Avinash Kolhe explores the enduring legacy of Marathi musical theatre as Nehru Centre Mumbai presents its 34th annual ...

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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

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PHULE'S THIRD EYE RECLAIMS RELEVANCE

The Third Eye, Opens Again: Phule's Forgotten Play Speaks Powerfully to Our Times. The dramatized reading of Trutya Ratna ...

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BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

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