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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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TRENDING: DHARMENDRA - SENTIMENTALLY YOURS FOREVER

A heartfelt remembrance of Dharmendra’s final years, shared through this touching memorial by Khalid Mohamed, tracing his solitude, poetry, humility,...

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FESTIVALS: CELEBRATING CINEMA ON CAMPUS

A Colourful and Intellectual Celebration of Cinema on a University Campus, as reported by Utpal Datta, explores how festivals ...

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FESTIVALS: BRIDGES OF ART CONNECT WORLDS

Bridges of Art: A Journey from Argentina to India at the National Gallery of Modern Art, Mumbai, brings together Julia Romano, Pablo Ramí...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...

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ALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY

Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...

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MOVIES: SUCH A FALL FROM GRACE

Khalid Mohamed, once a cheerleader of Mani Ratnam, is taken aback with Thug Life, the auteur’s fall from grace. “M...

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