THOUGHT FACTORY: THE IRONY OF CANNES ‘24

This is India’s clean sweep, with no credit to India at all! Monojit Lahiri tries to explain why confusion is confounded...

TRENDING: PATRIOTISM FOR PROFIT & ELECTION ADS

Is nothing sacred in today's media landscape, dominated by relentless election advertising, wonders Monojit Lahiri. He explore...

BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

BOLLYWOOD’S AMAZING CHUMMA CHUMMA STORY: FROM OOOIMAA TO GO-BABY-GO!

A caress given with lips, key to paradise, the blossom of love, the first discharge of a purely, physical, sexual sensation, the first crisis o...

SHAKESPEARE & BOLLYWOOD – JAB THEY MET!!

Manojit Lahiri takes you on a fascinating journey where hamlet and omelet often clash!

Ch...

IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...