ALTERNATIVE ENTERTAINMENT: STUDYING IN INDIA CHANGED MY ARTISTIC PERSPECTIVE

Tharindu Ramanayaka, an independent filmmaker from Colombo, Sri Lanka, has carved a niche for himself in the world of cinema with his unique s...

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THE HRISHIDA I REMEMBER…

Monojit Lahiri pays a personal tribute to this iconic filmmaker on his 101^st birth anniversary. Hrishida was born o...

ABOUT FACING CHALLENGES AND STAYING STRONG!

Humra Quraishi comments on the deceptive times that we live in, and harks back to the encouraging and motivating words of Khus...

IDENTITY, IDENTIFICATION AND THE FUEL OF TIME’S FURNACE

Humra Quraishi writes, “It’s August and focus is on Kashmir. On 5 August 2019, the status of Jammu and Kashmir was altered by revok...

DOES WATCHING ART-HOUSE CINEMA MAKE YOU…SUPERIOR??

Monojit Lahiri investigates on a topic, which a good, grounded and witty friend, one fine day, brought up in a discussion.

DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More

Those Fashion Classics

Khalid Mohamed sizes up Hollywood’s retro-chic, which continues to be the stuff that timeless fashion statements are mad...

The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

The Woman in White

Film historian Dhruv Somani re-assesses Raj Khosla’s iconic suspense-filled Woh Kaun Thi, produced by NN Sippy under his...